MIND MAPPING


1-
Paint
Bucket
Making way for put paint easily
without vaistage
2-Soap dish
Water leakage problem
3- Water pipes
Can be added stopper or something
thing like cap
4-
Spoon
Can be added
crusher on his back side
5-
Fridge
Not moveable
easily
6-Tiles
Not detachable
7- Bath mug
No stand
forthis
8- Cup
Adding scale in
inner side for measurements
9-Wall clock
Adding
somelight for night vision
10- Ladies
Purse
A hook can
helpful for ladies to free hands
11- Rubab
Making for left
handers
20 FUNCTION FLAW DETECTION
Functional Objects Flaws
1) Soap Dish Water dropping on floor.
2) Ball Point After leakage cloth get dirty.
3) Mobile When it hangs then no other way to restart.
4) Brush There is no comb for its hair.
5) Lock (Talla) Always keys lost and then cutting is very hard.
6) Paint ka dabba There is no way to put paint in other container Easily.
7) Oil Bottle For gripping because of getting oily hand.
8) Mouse After few time of usage hand will be tired.
9) Bed Bed must include movement with legs.
10) Wheel Chair Wheel chair must be in robotic form and can walk with legs insted of wheels.
11) Electric Bulb It must be control with remote
12) Wash Basin We can easily wash our feet in basin.
13)Water pipe A plastic or ruber cap is necessary on its mouth like stopper.
14) Celling Fan Its produce too much sound
.
15) Canaster (Baltii) Its must be coverd with cap.
16) Stablizer There is no digital stabilizer.
17) Ladies purse A small hook inn the purse can helping ladies hand freely use.
18) Spghfomamometer Magic boht jaldi kharab o jati hain khachra jama ota hai.
19) Tile Tiles must be detachable.
20) Dish it must be fitting with movements and joints.
21) Silencer it is optionally keep silent.
10 Basic Fundamentals In Ceramics
1) Clay
2) Plastic
3) Dust
4) Scored
5) Wedge
6) Hollow
7) Shrinkage and warping
8) Bisque
9) Glaze
10) Finesse and finishing.
50 Functional Design Objects
1) Swingline Stapler
2) Vacuum Cleaner
3) Camera
4) Thermos Vacuum Flask
5) Ballpoint Pen
6) Swiss Army Knife
7) Table Clock
8) Toaster
9) Tupperware
10) Safety Razor
11) Zippo Lighter
12) Coffee Maker
13) Lamp
14) Television
15) Apple iPhone
16) Sony Walkman
17) Plastic Chair
18) Head phones
19) Bycycle
20) Wall Clock
21) Padestal fan
22) Aeroplane
23) Water tap
24) Measuring tap
25) Hammer
26) Screw gauge
27) Vernier caliper
28) Microscope
29) Laptop
30) Cylinder
31) Microwave oven
32) Torch
33) Ellevator
34) Sun Glasses
35) Ear pods
36) Shoes
37) Remote
38) Sewing Machine
39) Spoon
40) Mouse
41) Glass
42) Super bikes
43) N95-Mask
44) Scisseors
45) Sypghomanomeeter
46) Thermometer
47) Tyre
48) Gun
49) Dumbells
50) Electric Bulb
RALPH BACERRRA
RALPHBA CERRA
1938Born Garden Grove, California
2008Died Eagle Rock, California
EDUCATION
1961BFA Chouinard Art Institute,
Los Angeles, California
PRIMARY WORK EXPERIENCE
1961-1964Faculty, Ceramics Department,
Chouinard Art Institute, Los Angeles, California
1963-1972Chairman, Ceramics Department,
Chouinard Art Institute
1983-1997Faculty and Chairman Ceramics
Department, Otis Art Institute, Los Angeles, California
CAREER
Bacerra joined
the U.S. Army in 1961, returning in 1963 to find the position of chairperson of
the ceramics department at Chouinard left open by Vivika Heino. Bacerra
occupied this position there from 1963 to 1971, at which point Chouinard was
renamed the California Institute of the Arts and moved
to Valencia, California. After this move in 1971, the ceramics
department was dropped from the school's curriculum, and Bacerra went to work
full-time in his studio.
Art work
The
artwork of Ralph Bacerra is recognizable by its vivid use of color and
contrast, which are the result of a delicate and multi-staged process of
overglazing. He is also known for geometrically complicated and technically
difficult forms. His decorative aesthetic draws from Asian sources, most
notably Japanese Imari and Kutani pieces, Persian miniatures, and Chinese Tang
ceramics.
Bacerra
has insisted upon an absence of metaphor:
I've never really thought of my work in
post-modern terms. But I suppose in many ways it fits the definition. My pieces
are based on traditional ideas and engage in certain cultural appropriations—in
form, in design, in glaze choices. However, my work is not post-modern in the
sense that I am not making any statements—social, political, conceptual, even intellectual.
There's no meaning or metaphor. I'm committed more to the idea of pure beauty.
The finished piece should be like an ornament, exquisitely beautiful."
Exhibitions
·
Arizona State University Art
Museum, Tempe
·
Bates Gallery, Edinboro State
College, Edinboro, Pennsylvania
·
Cooper Hewitt Museum, New York
·
Everson Museum of Art, Syracuse,
New York
·
John Michael Kohler Arts Center,
Sheboygan, Wisconsin
·
Krannet Art Museum, Champaign,
Illinois
·
Long Beach Museum of Art, Long
Beach, California
·
Los Angeles County Museum of
Art, Los Angeles
·
M.H. de Young Memorial Museum,
San Francisco
·
Mint Museum of Craft + Design,
Charlotte, North Carolina
·
The Museum of Contemporary
Ceramic Art, Shigaraki Ceramic Cultural Park, Shigaraki, Japan
·
Museum of Contemporary Crafts,
New York
·
Smithsonian American Art Museum,
Washington, D.C.
·
National Museum of Modern Art,
Kyoto, Japan
·
Newark Museum of Art, Newark,
New Jersey
·
The Oakland Museum, Oakland,
California
ABOUT
Ralph Bacerra was an American Postwar & Contemporary
artist who was born in 1938. Their work was featured in numerous exhibitions at
key galleries and museums, including The Nelson-Atkins Museum of Art and the CCS Bard, Hessel Museum of Art. Ralph Bacerra's work has been offered at
auction multiple times, with realized prices ranging from $277 USD to $40,000
USD, depending on the size and medium of the artwork. Since 2001 the record
price for this artist at auction is $40,000 USD for Untitled (Lidded Sphere), sold at Bonhams Los Angeles in 2018. Ralph Bacerra has been
featured in articles for the ArtDaily and the "New York Times". The most recent article is MFA Houston Announces Acquisition of Over 160
Decorative Arts Objects written
for the ArtDaily in July 2010. The artist died in
2008.
Ralph Bacerra
Portrait Vessel, 1993
glazed
whiteware
Decorative Art
height
34 3/4in (88.3cm); width 7 1/2in (19cm);length 18in45.8cm
earthenware with over-glazed enamels and metallic
lusters
Decorative Art
height 24in (61cm); diameter 20in (51cm)
Glazed ceramic
15" x 12.25" diameter; 8.75" x
5.625" diameter
Glazed ceramic
Earthenware
Whiteware
``
Stoneware
Porcelain
Porcelain
Ceramic sculpture
whiteware with glazes
glazed ceramic